The Founding Of Choson From The Korean Peninsula - 1400 Words

In 1392 when Choson replaced Koryo from the Korean peninsula, many differences occurred. Since Choson was successor of Koryo, Koryo could have been seen similar to its predecessor in a certain extent, but Choson was a whole new country. Foreign relations, military, society, and religion had all changed especially the religion. The founding of Choson can be interpreted as a religious revolution because reform-minded Confucian scholars wanted to a change. In Late Koryo, Buddhism had corrupted so much that even one of their own members wrote to fix a decadence in their religion. Confucians scholars blamed the Buddhists’ mismanagement to justify their action of building a new dynasty . The shift of a state from Buddhism to Neo-Confucianism with the transition from Koryo to Choson is well-known, but it needs to be broken down into pieces to observe the changes that occurred. Religious status of late Koryo, religious status of Choson, and impact of changes politically and socially must be carefully observed and will be described in more detail below. Religious Status of Late Koryo Buddhism was first introduced to Korean peninsula during the Three Kingdoms period by the foreign monks. By the time of Late Silla, Buddhism had become integral part of the culture and was a state religion of Koryo. Due to people of Koryo choosing to endow temples in concern of operations of the temples, Buddhist establishment obtained large landholdings and an accumulated wealth. MonksShow MoreRelated The History of Korean Art Essay1510 Words   |  7 PagesThe History of Korean Art The arts of Korea, while largely influenced by Chinese, are characterized by simplicity, spontaneity and naturalism. A work of Korean art is not very meticulous in tiny details. It rather tends to embrace wholeness. This seemingly indifference lies in the flexible state of mind of early Korean artists who love nature as it is. Ko Yu-sop, a Korean art scholar, defines the characteristic aspects of Korean art as technique without technique, planning without